Paper Developers

Cold-Tone

Burki and Jenny Cold-Tone Developer
Similar to Kodak D-72 and Defender 54-D, this formula produces a more pronounced blue-black on most papers.

Neutral-Tone

GAF-125 Paper Developer
This formula, similar to Kodak D-72, is recommended for most high quality enlarging papers, and can also be used for development of roll, pack and sheet film when brilliant negatives are desired.

Print Developer 130 Adams Version
A superb paper developer that produces a full scale of rich blacks.

Chris Patton's E-72 Print Developer
Dekol-type developer substituting ascorbic acid for hydroquinone and Phenidone for metol.

Warm-Tone

Brown Tone Print Developer (Agfa-120)
This developer will produce a variety of brown to warm black tones on various papers depending on dilution and exposure time.

Gevaert Warm Tone Developer (GD-67)
Variation of tone may be obtained by changing the bromide concentration, time of development and temperature of this developer.

Kodak D-155 Print Developer
A warm-tone developer that combines the three classic chemicals of paper developers.

WW-1 Print Developer
Formulated by Wynn White for Ilford Multi-grade Warm-tone paper, a hybrid between Kodak D-72 and Ansco 130, featuring the highlight tone of glycin.

Toning

Print Developer 106
A glycin- hydroquinone based developer that produces brown tones. Developer 106 is equivalent to Edwal 106

Low-Contrast

Soft Working Paper Developer (GAF 120)
A soft working developer, primarily intended for portrait work where soft gradation is required.


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Revised: Apr. 29, 2001